How It Works
Technical view
Before saturation, this patch narrows the input with a band-pass filter whose center shifts upward with `tone`, then drives that restricted band into a tanh stage and a dark high shelf. The result is more speaker-cone bottleneck than full-range fuzz, and the shared `bias` control is currently declared but unused.
- Fuzz & Destruction
- band-pass filtering
- waveshaping / saturation
- delay processing
- oscillator / LFO modulation
- DC blocking
Signal Path
Compiled preview chain
Preview source: An internally generated picked-string phrase is widened to stereo with a 19-sample right-channel delay and slight left/right shelf-EQ offsets before it hits the fuzz core.
- 1internal picked-string demo phrase
- 2stereo spread with a short right-channel delay
- 3pre-fuzz band-pass bottleneck
- 4single tanh fuzz stage
- 5dark post-fuzz high-shelf tone shaping
- 6dry / wet mix
- 7DC blocker
- 8output gain trim
- 9final tanh limiter
Preview source
An internally generated picked-string phrase is widened to stereo with a 19-sample right-channel delay and slight left/right shelf-EQ offsets before it hits the fuzz core.
Effect core
Band-pass-constricted fuzz with clipping after the bandwidth choke and a dark post-fuzz high shelf.
Signal path
The static waveform and the live player both reflect this compiled signal chain.
- internal picked-string demo phrase
- stereo spread with a short right-channel delay
- pre-fuzz band-pass bottleneck
- single tanh fuzz stage
- dark post-fuzz high-shelf tone shaping
- dry / wet mix
- DC blocker
- output gain trim
- final tanh limiter
Controls that matter
These are the currently active controls detected in the FAUST source for this effect.
- mix: Blends the untouched stereo preview source with the fuzzed path after the effect core.
- output_gain_db: Applies final post-effect level trim after DC blocking and before the output limiter.
- fuzz: Raises the gain feeding the clipped band-passed signal.
- tone: Moves the band-pass center upward and also adjusts the final high shelf.
- bias: Declared in the shared control set but unused in the current preview code.
Code-backed analysis
The generated description is tied to the active helper blocks and routing found in the current DSP.
- demo
- fx
- outputStage
- leftDemo
- rightDemo
- fuzzCore
- phraseMono
- previewShiftSamples
Controls
Audible controls in this DSP
Blends the untouched stereo preview source with the fuzzed path after the effect core.
Lower settings preserve more pick attack and clean body; higher settings push the fuzz treatment to the front.
Applies final post-effect level trim after DC blocking and before the output limiter.
Matches loudness without changing the actual fuzz structure.
Raises the gain feeding the clipped band-passed signal.
Pushes the narrow speaker-like band into denser saturation.
Moves the band-pass center upward and also adjusts the final high shelf.
Shifts the damaged-speaker emphasis higher or lower while also changing brightness.
Declared in the shared control set but unused in the current preview code.
Changing it currently has no effect on the sound.
Analysis
Code-derived notes
Current implementation uses the tone-controlled pre-fuzz band-pass choke but does not use the shared bias control.
Active blocks
- demo
- fx
- outputStage
- leftDemo
- rightDemo
- fuzzCore
- phraseMono
- previewShiftSamples
- softsat
- pickedVoice
- fund
- pickEnv
- ampEnv
- triggerAt
- maxDelaySamples
Inactive helpers
- synthVoice
- organVoice
- bellVoice
- quantize
- combLP
- echoOnly
- diffuser
Warnings
No current warnings are attached to this effect.
Source
- library/fuzz-destruction/torn-speaker.dsp
- Output stage: DC blocker -> output gain trim -> final tanh limiter
- Library position: 37