← Back to Fuzz & Destruction

Official effect

Tone-Bender Style Fuzz

Vintage-leaning biased fuzz that currently uses the same mid-shaped high-gain core as the other vintage-named fuzz variants.

The active path is the same one currently used by Germanium Fuzz, Silicon Fuzz, Big-Box Fuzz, and Pitch Fuzz: high-pass cleanup into one biased tanh stage, followed by a broad 980 Hz contour and a post-fuzz high shelf. It already behaves like a driven vintage-style fuzz voice, but it is not yet a differentiated multi-stage Tone-Bender-specific topology.

  • Fuzz & Destruction
  • Library #31
  • Preview 8s

Waveform preview

Static peaks come from the compiled FAUST preview render. The live scope is drawn from the browser playback output in real time.

Timeline
0:00 / 0:08
Source
Compiled browser preview
Live oscilloscope from the browser playback output.AnalyserNode keeps the signal path unchanged while exposing the waveform.

How It Works

Technical view

The active path is the same one currently used by Germanium Fuzz, Silicon Fuzz, Big-Box Fuzz, and Pitch Fuzz: high-pass cleanup into one biased tanh stage, followed by a broad 980 Hz contour and a post-fuzz high shelf. It already behaves like a driven vintage-style fuzz voice, but it is not yet a differentiated multi-stage Tone-Bender-specific topology.

  • Fuzz & Destruction
  • waveshaping / saturation
  • delay processing
  • oscillator / LFO modulation
  • DC blocking

Signal Path

Compiled preview chain

Preview source: An internally generated picked-string phrase is widened to stereo with a 19-sample right-channel delay and slight left/right shelf-EQ offsets before it hits the fuzz core.

  1. 1internal picked-string demo phrase
  2. 2stereo spread with a short right-channel delay
  3. 3high-pass cleanup
  4. 4single biased tanh fuzz stage
  5. 5broad 980 Hz peak shaping
  6. 6post-fuzz high-shelf tone shaping
  7. 7dry / wet mix
  8. 8DC blocker
  9. 9output gain trim
  10. 10final tanh limiter

Preview source

An internally generated picked-string phrase is widened to stereo with a 19-sample right-channel delay and slight left/right shelf-EQ offsets before it hits the fuzz core.

Effect core

Single-stage biased fuzz with pre-drive high-pass cleanup, 980 Hz mid contouring, and post-fuzz high-shelf tone shaping.

Signal path

The static waveform and the live player both reflect this compiled signal chain.

  • internal picked-string demo phrase
  • stereo spread with a short right-channel delay
  • high-pass cleanup
  • single biased tanh fuzz stage
  • broad 980 Hz peak shaping
  • post-fuzz high-shelf tone shaping
  • dry / wet mix
  • DC blocker
  • output gain trim
  • final tanh limiter

Controls that matter

These are the currently active controls detected in the FAUST source for this effect.

  • mix: Blends the untouched stereo preview source with the fuzzed path after the effect core.
  • output_gain_db: Applies final post-effect level trim after DC blocking and before the output limiter.
  • fuzz: Raises the input multiplier feeding the single fuzz stage.
  • tone: Adjusts both the 980 Hz peak EQ and the post-fuzz high shelf.
  • bias: Offsets the waveform before the tanh stage.

Code-backed analysis

The generated description is tied to the active helper blocks and routing found in the current DSP.

  • demo
  • fx
  • outputStage
  • leftDemo
  • rightDemo
  • fuzzCore
  • phraseMono
  • previewShiftSamples

Controls

Audible controls in this DSP

  • mix

    Active

    Blends the untouched stereo preview source with the fuzzed path after the effect core.

    Lower settings preserve more pick attack and clean body; higher settings push the fuzz treatment to the front.

  • output_gain_db

    Active

    Applies final post-effect level trim after DC blocking and before the output limiter.

    Matches loudness without changing the actual fuzz structure.

  • fuzz

    Active

    Raises the input multiplier feeding the single fuzz stage.

    Adds more sustain and turns the voice from thick fuzz into denser saturation.

  • tone

    Active

    Adjusts both the 980 Hz peak EQ and the post-fuzz high shelf.

    Changes how much mid focus and upper bite survive after clipping.

  • bias

    Active

    Offsets the waveform before the tanh stage.

    Alters clipping symmetry and the roughness of the fuzz breakup.

Analysis

Code-derived notes

Current implementation shares the same biased vintage-fuzz topology as Germanium Fuzz, Silicon Fuzz, Big-Box Fuzz, and Pitch Fuzz.

Active blocks

  • demo
  • fx
  • outputStage
  • leftDemo
  • rightDemo
  • fuzzCore
  • phraseMono
  • previewShiftSamples
  • softsat
  • pickedVoice
  • fund
  • pickEnv
  • ampEnv
  • triggerAt
  • maxDelaySamples

Inactive helpers

  • synthVoice
  • organVoice
  • bellVoice
  • quantize
  • combLP
  • echoOnly
  • diffuser

Warnings

No current warnings are attached to this effect.

Source

  • library/fuzz-destruction/tone-bender-style-fuzz.dsp
  • Output stage: DC blocker -> output gain trim -> final tanh limiter
  • Library position: 31

More In Fuzz & Destruction

Continue through the library

Each effect page uses the same generated description pipeline and compiled waveform preview assets.

Germanium Fuzz

Warm-leaning biased fuzz that currently rides on the same mid-shaped high-gain core as the other vintage-named fuzz variants.

View How It Works

Gated Fuzz

Hard-gated fuzz that slams shut on the note tail for abrupt, sputtering decay.

View How It Works

Octave Fuzz

Saturated fuzz with a rectified upper-octave layer riding above the main clipped signal.

View How It Works