How It Works
Technical view
The current path is identical in structure to Alias Fuzz: a single tanh fuzz stage feeds a quantizer, then a post-fuzz high shelf shapes the result. In other words, the crushed character currently comes from the quantization stage rather than from a distinct voltage-starve or transistor-bias circuit.
- Fuzz & Destruction
- waveshaping / saturation
- delay processing
- oscillator / LFO modulation
- DC blocking
Signal Path
Compiled preview chain
Preview source: An internally generated picked-string phrase is widened to stereo with a 19-sample right-channel delay and slight left/right shelf-EQ offsets before it hits the fuzz core.
- 1internal picked-string demo phrase
- 2stereo spread with a short right-channel delay
- 3single tanh fuzz stage
- 4amplitude quantization
- 5post-fuzz high-shelf tone shaping
- 6dry / wet mix
- 7DC blocker
- 8output gain trim
- 9final tanh limiter
Preview source
An internally generated picked-string phrase is widened to stereo with a 19-sample right-channel delay and slight left/right shelf-EQ offsets before it hits the fuzz core.
Effect core
Single-stage fuzz followed by amplitude quantization and post-fuzz high-shelf tone shaping.
Signal path
The static waveform and the live player both reflect this compiled signal chain.
- internal picked-string demo phrase
- stereo spread with a short right-channel delay
- single tanh fuzz stage
- amplitude quantization
- post-fuzz high-shelf tone shaping
- dry / wet mix
- DC blocker
- output gain trim
- final tanh limiter
Controls that matter
These are the currently active controls detected in the FAUST source for this effect.
- mix: Blends the untouched stereo preview source with the fuzzed path after the effect core.
- output_gain_db: Applies final post-effect level trim after DC blocking and before the output limiter.
- fuzz: Raises the gain feeding the initial tanh fuzz stage.
- tone: Adjusts the post-fuzz high shelf after quantization.
- bias: Sets the quantization resolution after clipping.
Code-backed analysis
The generated description is tied to the active helper blocks and routing found in the current DSP.
- demo
- fx
- outputStage
- leftDemo
- rightDemo
- fuzzCore
- phraseMono
- previewShiftSamples
Controls
Audible controls in this DSP
Blends the untouched stereo preview source with the fuzzed path after the effect core.
Lower settings preserve more pick attack and clean body; higher settings push the fuzz treatment to the front.
Applies final post-effect level trim after DC blocking and before the output limiter.
Matches loudness without changing the actual fuzz structure.
Raises the gain feeding the initial tanh fuzz stage.
Adds more sustain and density before the crushing stage.
Adjusts the post-fuzz high shelf after quantization.
Keeps the stepped edge darker or lets more brittle top-end through.
Sets the quantization resolution after clipping.
Lower values make the output rougher and more obviously stepped; higher values smooth it out.
Analysis
Code-derived notes
Current implementation shares the same quantized fuzz topology as Alias Fuzz.
Active blocks
- demo
- fx
- outputStage
- leftDemo
- rightDemo
- fuzzCore
- phraseMono
- previewShiftSamples
- softsat
- quantize
- pickedVoice
- fund
- pickEnv
- ampEnv
- triggerAt
- maxDelaySamples
Inactive helpers
- synthVoice
- organVoice
- bellVoice
- combLP
- echoOnly
- diffuser
Warnings
No current warnings are attached to this effect.
Source
- library/fuzz-destruction/crushed-bias-fuzz.dsp
- Output stage: DC blocker -> output gain trim -> final tanh limiter
- Library position: 40