How It Works
Technical view
The core feeds the input through a low-passed feedback comb whose delay time is moved by a sine LFO. `focus` sets the base delay and post-filter high shelf, `motion` increases both delay modulation depth and feedback, and `rate` sets sweep speed, so the result behaves like a resonant flanger-like comb texture rather than a conventional filter bank.
- Filter, Wah & Envelope
- waveshaping / saturation
- delay processing
- oscillator / LFO modulation
- DC blocking
Signal Path
Compiled preview chain
Preview source: An internally generated picked-string phrase is widened to stereo with a 19-sample right-channel delay and slight left/right shelf-EQ offsets before it hits the filter core.
- 1internal picked-string demo phrase
- 2stereo spread with a short right-channel delay
- 3feedback comb filter with moving delay time
- 4post-filter high-shelf tone shaping
- 5dry / wet mix
- 6DC blocker
- 7output gain trim
- 8final tanh limiter
Preview source
An internally generated picked-string phrase is widened to stereo with a 19-sample right-channel delay and slight left/right shelf-EQ offsets before it hits the filter core.
Effect core
Feedback comb filter with LFO-modulated delay time and post-filter high-shelf tone shaping.
Signal path
The static waveform and the live player both reflect this compiled signal chain.
- internal picked-string demo phrase
- stereo spread with a short right-channel delay
- feedback comb filter with moving delay time
- post-filter high-shelf tone shaping
- dry / wet mix
- DC blocker
- output gain trim
- final tanh limiter
Controls that matter
These are the currently active controls detected in the FAUST source for this effect.
- mix: Blends the untouched stereo preview source with the filtered path after the effect core.
- output_gain_db: Applies final post-effect level trim after DC blocking and before the output limiter.
- focus: Sets the base comb delay time and the post-filter high shelf.
- motion: Increases delay-time modulation depth and comb feedback.
- rate: Sets the speed of the internal LFO that modulates the comb delay time.
Code-backed analysis
The generated description is tied to the active helper blocks and routing found in the current DSP.
- demo
- fx
- outputStage
- leftDemo
- rightDemo
- filterCore
- phraseMono
- previewShiftSamples
Controls
Audible controls in this DSP
Blends the untouched stereo preview source with the filtered path after the effect core.
Lower settings preserve more dry attack and full-band tone; higher settings emphasize the filter treatment.
Applies final post-effect level trim after DC blocking and before the output limiter.
Matches loudness without changing the filter behavior itself.
Sets the base comb delay time and the post-filter high shelf.
Moves the comb spacing and changes how bright the comb texture feels.
Increases delay-time modulation depth and comb feedback.
Makes the comb more animated and more resonant.
Sets the speed of the internal LFO that modulates the comb delay time.
Changes how fast the metallic sweep moves.
Analysis
Code-derived notes
Current implementation is a distinct comb-filter path using delayed feedback rather than a band-pass or resonant filter core.
Active blocks
- demo
- fx
- outputStage
- leftDemo
- rightDemo
- filterCore
- phraseMono
- previewShiftSamples
- combLP
- pickedVoice
- maxDelaySamples
- fund
- pickEnv
- ampEnv
- triggerAt
Inactive helpers
- synthVoice
- organVoice
- bellVoice
- softsat
- quantize
- echoOnly
- diffuser
Warnings
No current warnings are attached to this effect.
Source
- library/filter-wah-envelope/comb-filter.dsp
- Output stage: DC blocker -> output gain trim -> final tanh limiter
- Library position: 79