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Official effect

Dive/Rise Bend

Currently two fixed synthetic harmony layers rather than a dynamic bend envelope or gesture-driven rise and dive.

The current harmony family does not derive intervals from live pitch detection. Instead, it sums several separately synthesized picked-string phrases that are prewritten to sit above or below the dry demo phrase, offsets the right-side harmony copies by short delays, and shapes the combined layer with a high shelf controlled by `width`. `voice` acts as an overall harmony-level scaler, while the shared `blend` control is inactive in these patches. There is no time-varying bend envelope in the current implementation.

  • Pitch, Harmony & Detune
  • Library #205
  • Preview 8s

Waveform preview

Static peaks come from the compiled FAUST preview render. The live scope is drawn from the browser playback output in real time.

Timeline
0:00 / 0:08
Source
Compiled browser preview
Live oscilloscope from the browser playback output.AnalyserNode keeps the signal path unchanged while exposing the waveform.

How It Works

Technical view

The current harmony family does not derive intervals from live pitch detection. Instead, it sums several separately synthesized picked-string phrases that are prewritten to sit above or below the dry demo phrase, offsets the right-side harmony copies by short delays, and shapes the combined layer with a high shelf controlled by `width`. `voice` acts as an overall harmony-level scaler, while the shared `blend` control is inactive in these patches. There is no time-varying bend envelope in the current implementation.

  • Pitch, Harmony & Detune
  • waveshaping / saturation
  • delay processing
  • oscillator / LFO modulation
  • DC blocking

Signal Path

Compiled preview chain

Preview source: An internally generated picked-string phrase is widened to stereo as the dry source; the current pitch family mostly layers separately synthesized picked-string phrases over that demo rather than pitch-shifting the dry input in real time.

  1. 1internal picked-string demo phrase
  2. 2stereo spread with a short right-channel delay
  3. 3multiple separately synthesized auxiliary pitch phrases
  4. 4staggered short right-side offsets for the synthetic layers
  5. 5high-shelf shaping on the summed harmony layer
  6. 6dry / harmony blend
  7. 7DC blocker
  8. 8output gain trim
  9. 9final tanh limiter

Preview source

An internally generated picked-string phrase is widened to stereo as the dry source; the current pitch family mostly layers separately synthesized picked-string phrases over that demo rather than pitch-shifting the dry input in real time.

Effect core

Dry phrase plus two separately synthesized auxiliary pitch phrases with staggered right-side offsets.

Signal path

The static waveform and the live player both reflect this compiled signal chain.

  • internal picked-string demo phrase
  • stereo spread with a short right-channel delay
  • multiple separately synthesized auxiliary pitch phrases
  • staggered short right-side offsets for the synthetic layers
  • high-shelf shaping on the summed harmony layer
  • dry / harmony blend
  • DC blocker
  • output gain trim
  • final tanh limiter

Controls that matter

These are the currently active controls detected in the FAUST source for this effect.

  • mix: Blends between the dry stereo preview phrase and the synthesized pitch layer.
  • output_gain_db: Applies final post-effect level trim after DC blocking and before the output limiter.
  • voice: Raises the level of the synthesized pitch layer before it is mixed with the dry source.
  • width: Adjusts the high-shelf shaping on the synthesized pitch layer and its offset right-channel copy.
  • blend: Declared in the shared control set but unused in the current preview code.

Code-backed analysis

The generated description is tied to the active helper blocks and routing found in the current DSP.

  • demo
  • fx
  • outputStage
  • leftDemo
  • rightDemo
  • leftFx
  • rightFx
  • phraseMono

Controls

Audible controls in this DSP

  • mix

    Active

    Blends between the dry stereo preview phrase and the synthesized pitch layer.

    Lower settings stay closer to the direct phrase; higher settings push the synthetic transposed layer forward.

  • output_gain_db

    Active

    Applies final post-effect level trim after DC blocking and before the output limiter.

    Matches loudness without changing the actual pitch-layer structure.

  • voice

    Active

    Raises the level of the synthesized pitch layer before it is mixed with the dry source.

    Makes the auxiliary octave or transposed voice more prominent.

  • width

    Active

    Adjusts the high-shelf shaping on the synthesized pitch layer and its offset right-channel copy.

    Makes the synthetic layer darker at low settings and brighter and more open at high settings.

  • blend

    Active

    Declared in the shared control set but unused in the current preview code.

    Changing it currently has no effect on the sound.

Analysis

Code-derived notes

Current implementation uses separately synthesized fixed harmony phrases rather than live interval tracking; Intelligent Harmonizer and 2-Voice Diatonic Harmony are currently identical. Dive/Rise Bend does not yet generate a true bend sweep.

Active blocks

  • demo
  • fx
  • outputStage
  • leftDemo
  • rightDemo
  • leftFx
  • rightFx
  • phraseMono
  • previewShiftSamples
  • pitchLeft
  • pitchRight
  • pickedVoice
  • pitchLayer1
  • pitchLayer2
  • fund
  • pickEnv
  • ampEnv
  • triggerAt
  • maxDelaySamples

Inactive helpers

  • synthVoice
  • organVoice
  • bellVoice
  • softsat
  • quantize
  • combLP
  • echoOnly
  • diffuser

Warnings

No current warnings are attached to this effect.

Source

  • library/pitch-harmony-detune/dive-rise-bend.dsp
  • Output stage: DC blocker -> output gain trim -> final tanh limiter
  • Library position: 205

More In Pitch, Harmony & Detune

Continue through the library

Each effect page uses the same generated description pipeline and compiled waveform preview assets.

Octave Down

Adds a separately synthesized lower octave phrase beneath the dry demo instead of shifting the live input downward.

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MicroPitch

Currently a synthetic high layer plus short dry delays rather than a subtle cents-detune of the live input.

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Intelligent Harmonizer

Currently two fixed synthesized harmony layers rather than a true live key-aware harmonizer.

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